Former Sony and Fabric Data finance chief to steer Zixi's next phase of growth as broadcasters, sports leagues and streamers accelerate the shift from satellite to IP ...
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During this morning’s “Hack the NAB Show” webinar, HuddleCamHD announced two new 4k HuddleCam webcams (Figure 1, below) that offer appealing new features for videoconferencing, demos, and lecture ...
AI is bringing a new coordination layer to ad tech that is impacting every area of the streaming monetization workflow, including executing transactions, preparing inventory, understanding audience, ...
When HEVC Advance first proposed royalty rates and policies in July 2015, the terms were almost universally criticised, if not vilified. Recognizing that the proposed structure would slow HEVC ...
Multiview—the ability to watch two, three, or four simultaneous feeds on a single screen—is increasingly a core capability in live sports streaming. The technical distinction that matters most isn’t ...
Legal requirements for the captioning of streaming media content in the U.S. became clear for media produced or funded by the federal government with 2010's 21st Century Communications and Video ...
As much as we love debating the pros and cons of new codecs like AV1, VVC, and LCEVC, independent premium-content publishers have largely ignored them. Take Alliance for Open Media (AOMedia) founding ...
Streaming codec adoption used to be an engineering abstraction governed by RD curves, BD-Rate tables, and road map slides that no one outside of R&D ever considered. Over the last 15 months, codec ...
Multi-language audio is easy to describe as a dubbing problem. A video exists in one language, a team needs it in another language, and the obvious question is whether AI can create a convincing voice ...
In an ideal world, digital advertising should work like broadcast advertising, but with even better targeting and variable ad pod lengths. However, the ad tech business has the nuances of stock market ...
H.264 (AVC) streaming royalties have been a solved problem for a long time. In August 2010, MPEG LA, the predecessor organization to the Via Licensing Alliance (Via), announced that internet video ...
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